Large Mycenaean-era engraved tomb unearthed in Orchomenos, south-central Greece

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Large Mycenaean-era engraved tomb unearthed in Orchomenos, south-central GreeceThe Bronze Age grave shows nobleman's love of jewelry

One of the largest Mycenean-era carved tombs ever discovered in Greece has been located in Orchomenos in Viotia, the culture ministry announced on Monday. The discovery was made in Prosilio, near Orchomenos, during the first year of a five-year cooperation programme between the Viotia Antiquities Ephorate and the British School at Athens (BSA) and Cambridge University.

"Specifically, the tomb is the ninth-largest chamber tomb out of roughly 4,000 excavated in the last 150 years," the culture ministry announced.

The tomb is of monumental size and artfully constructed, it includes a large death chamber measuring 42 metres square with a 20-metre carved 'road' leading up to it. On all four walls of the chamber is a carved ledge covered in clay plaster, while the initial height of the roof is estimated to have been 3.5 metres high.

There is evidence that this roof began to collapse very early after construction, possibly even during the Mycenean era, giving the tomb a cave-like aspect and a total height of 6.5 metres. The collapse disturbed the position of the body and objects inside but then covered and protected the tomb from later interference.

Greece's Culture Ministry says the 3,350-year-old chamber near Orchomenos, an important center of the Mycenaean era, belonged to a man who was 40 to 50 years old when he died, surrounded by carefully chosen grave goods. These included tin-lined vessels, horses' reins, bow parts, arrows, pins, jewellery, combs, a seal and a seal ring.

Best collections of confirmed burial goods

The tomb is dated to the middle of the 14th century B.C. and has yielded some of the best collections of confirmed burial goods from the palace period of mainland Greece. The discovery of a single burial with important finds is exceptionally rare, since Mycenean chamber tombs tended to be reused for multiple burials across generations, so that grave goods were disturbed or looted. The Prosilios tomb is exceptional in that all the items found were linked to the single dead body buried there, giving archaeologists greater insights into burial practices of the period.

One example is the discovery of several items of jewellery in the tomb, as in that of the Pylos warrior found in 2015, casts doubt on the previously held belief that jewellery was mainly used in the burials of women.

The tomb is believed to be linked to the nearby Orchomenos palace complex that dominated the area during the 14th and 13th centuries B.C. and to belong to a member of the upper social classes of the time.

In charge of the excavations are Dr. Alexandra Charami, chief of the Viotia Antiquites Ephorate, and Dr. Yiannis Galanakis of Cambridge University.

The Mycenaean civilization was located in the northeast Peloponnese, approximately 200 kilometers from the current side, and flourished on flourished on the Greek mainland prior to roughly 1200 BC.

About Orchomenus

Orchomenus (Ancient Greek: Ὀρχομενός Orchomenos), the setting for many early Greek myths, is best known as a rich archaeological site in Boeotia, Greece, that was inhabited from the Neolithic through the Hellenistic periods. Orchomenus is also referenced as the "Minyean Orchomenus" in order to distinguish the city from the "Arcadian Orchomenus".

According to the founding myth of Orchomenos, its royal dynasty had been established by the Minyans, who had followed their eponymous leader Minyas from coastal Thessaly to settle the site. In the Bronze Age, during the fourteenth and thirteenth centuries, Orchomenos became a rich and important centre of civilisation in Mycenaean Greece and a rival to Thebes. The palace with its frescoed walls and the great tholos tomb show the power of Orchomenos in Mycenaean times. A massive hydraulic undertaking drained the marshes of Lake Copaïs making it a rich agricultural area.[2] Like many sites around the Aegean, Orchomenos was burned and its palace destroyed in ca. 1200 BC.

Orchomenos is mentioned among the Achaean cities sending ships to engage in the Trojan War in Homer's "Catalogue of Ships" in the Iliad: together with Aspledon, they contributed thirty ships and their complement of men.

Orchomenos seems to have been one of the city-states that joined the Calaurian maritime League in the seventh century BC.[3] Although their rivals Thebes confirmed their supremacy by the end of the century reflected bu inscriptions, Orchomenos joined the Theban-led Boeotian League in ca. 600 BC.[4]

Classical Orchomenos was known for its sanctuary of the Charites or Graces, the oldest in the city, according to Pausanias (5.172–80); the Byzantine (9th century) monastery church of Panaghia Skripou probably occupies the long-sacred spot.[5] Here the Charites had their earliest veneration, in legend instituted by Eteocles; musical and poetical agonistic games, the Charitesia,[6] were held in their honour, in the theatre that was discovered in 1972.[7] The Agrionia, a festival of the god Dionysus, involved the ritual pursuit of women by a man representing Dionysus. Orchomenos struck its coinage from the mid-sixth century.

In 480–479 BC, the Orchomenians joined their neighbouring rivals the Thebans to turn back the invading forces of Xerxes in the Greco-Persian Wars. In mid-century, Orchomenos sheltered the oligarchic exiles who freed Boeotia from Athenian control. In the fourth century the traditional rivalry with Thebes made Orchomenos an ally of Agesilaus II and Sparta against Thebes, in 395 and again in 394 BC. The Theban revenge after their defeat of Sparta in the battle of Leuctra (371 BC) was delayed by the tolerant policies of Epaminondas:[8] the Boeotian League sacked Orchomenos in 364 BC. Although the Phocians rebuilt the city in 355 BC, the Thebans destroyed it again in 349.

The broad plain between Orchomenos and the acropolis of Chaeronea witnessed two battles of major importance in Classical antiquity. In 338 BC, after a whirlwind march south into central Greece, Philip II of Macedon defeated Thebes and Athens on the plain of Chaironeia during the First Battle of Chaeronea, establishing Macedonian supremacy over the city-states, and demonstrated the prowess of Philip's young son Alexander the Great. During Alexander's campaign against Thebes in 335 BC, Orchomenos took the side of the Macedonians. In recompense, Philip and Alexander rebuilt Orchomenos, when the theatre and the fortification walls, visible today, were constructed.

The Second Battle of Chaeronea occurred when Roman forces under Lucius Cornelius Sulla defeated those of King Mithridates VI of Pontus near Chaeronea, in 86 BC during the First Mithridatic War. This Second Battle of Chaeronea was followed by the Battle of Orchomenus, when Archelaus' forces were completely destroyed.

Orchomenos remained a small town until Late Roman times, when the theatre was still in use, and afterwards.

Archaeology in Orchomenus

Most excavations have focussed on the early and Mycenean areas of the lower town, while the later Hellenistic city on the acropolis remains largely unexplored.

In 1880–86, Heinrich Schliemann's excavations (H. Schliemann, Orchomenos, Leipzig 1881) revealed the tholos tomb he called the "Tomb of Minyas", a Mycenaean monument that equalled the "Tomb of Atreus" at Mycenae itself. In 1893, A. de Ridder excavated the temple of Asklepios and some burials in the Roman necropolis. In 1903–05, a Bavarian archaeological mission under Heinrich Bulle and Adolf Furtwängler conducted successful excavations at the site. Research continued in 1970–73 by the Archaeological Service under Theodore Spyropoulos, uncovering the Mycenaean palace, a prehistoric cemetery, the theatre and other structures. The Tomb of Minyas is one of the greatest burial monuments of the Mycenaean period.[10] The tomb was probably built for the members of the royal family of Orchomenos in 1250 BC and was plundered in antiquity. The monument was visible for many centuries after its original use and even became a place of worship in the Hellenistic period. It was probably a famous landmark until at least the second century AD, when Pausanias visited Orchomenos and described the tholos in detail.[11] It had a dromos thirty metres long. Its entrance was built of dark grey Levadhia marble and had a wooden door. The lintel, still in place today, is six metres long and weighs several tons. The entrance and the chamber were decorated with bronze rosettes as shown by the attachment holes on the walls and the ceiling of the side chamber is decorated with spirals and floral motifs in relief. In the centre of the Tholos, a rectangular burial monument dates to the Ηellenistic period (323–30 B.C.). It was partially restored by the architect-archaeologist A. Orlandos. In 1994, the Hellenic Ministry of Culture undertook restoration work consisting mainly of drainage and strengthening of the walls of the side chamber.

The Neolithic remains found at Orchomenos were first thought to be in situ (Bulle 1907) but it later appeared that they consisted of fill in a levelling deposit (Kunze 1931; Treuil 1983). Thus the associated round houses (two to six metres in diameter) were in fact from the Early Bronze Age (2800–1900 BC). Later in that period, houses were apsidal.

The Mycenaean palace to the east of the Tholos tomb and lying partially underneath the church is only partially excavated and consists of three wings, some of which were decorated with frescoes. The palace was destroyed c. 1200 BC.

The fortification walls of Orchomenos were built in the 2nd half of the 4th century B.C. under the Macedonians and crown the east end of mount Akontion.

The theatre was built around the end of the 4th century BC. The cavea, with seats for the spectators, the orchestra and part of the scena are all preserved. It was in use until late Roman times (4th century AD).

RELATED TOPICS: GreeceGreek tourism newsTourism in GreeceGreek islandsHotels in GreeceTravel to GreeceGreek destinations Greek travel marketGreek tourism statisticsGreek tourism report

Photo Source: Wikimedia Commons Copyright: Gerhard Haubold License: CC-BY-SA

 

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